The building’s exterior was carefully rehabilitated, with its historic characterÌýretained and repaired, when possible. | Photo Credit (all): Bruce Damonte
By Ryan Jang and Cecily NgÌý

The reimagined Creekside Center at UC BerkeleyÌýrepresentsÌýa fundamental shift in how accessibility, sustainability, and historic preservation can coexist within the academic built environment. Located in the campus’ classical core, the project transformed the formerÌýDwinelleÌýHall Annex — a deteriorating, barrier-laden structure — into an inclusive, high-performance home for the university’s Disabled Students’ Program (DSP). Rather than treating accessibility as a compliance exercise, the design team approached the renovation as an opportunity toÌýdemonstrateÌýhow universal design can enhance comfort, resilience, and agency for all building users.ÌýÌý
Shaped by an extensive programming process that included feedback from students, staff, and campus stakeholders, the project is rooted in DSP’s belief that “an accessible environment universally benefits everyone.â€�ÌýMore thanÌý4,000 students visit theÌýbuilding regularly to receive services such as proctoring, alternativeÌýmediaÌýand interpreting.ÌýÌý
A Historic Building with Modern BarriersÌý
The two-story building is nestled in the mature trees north of Strawberry Creek.ÌýOriginallyÌýdesignedÌýby John Galen Howard in 1920Ìýin the First Bay Tradition,Ìýthere wereÌýadditions in 1924 by Howard and 1949 by Michael Goodman.ÌýWhenÌýtheÌýproject began in 2021,Ìýmany features attributingÌýthe buildingÌýto the First Bay TraditionÌýwere presentÌýbutÌýin a state of disrepair. A non-code compliant ramp linked three of the lower elevations while the upper floors were disconnectedÌýandÌýonlyÌýreachableÌýbyÌýstairs.ÌýThe exterior suffered from water intrusion, rot, and pest damage.ÌýThe existingÌýsteamÌýheating system was served byÌýthe campus central plantÌýin a highly inefficient manner. There was no mechanical ventilation or air filtration system.ÌýÌý
Restoring Character While Improving PerformanceÌý

The building’s exterior was carefully rehabilitated, with its historic characterÌýretainedÌýand repaired, when possible. NewÌýcladdingÌýreplicatesÌýthe original redwood board and batten siding. TheÌýlow-pitched gabled roof eaves and fasciasÌýwere restored. TheÌýspearmint-coloredÌýwindows with dividedÌýlitesÌýwere replaced with high performance windows ofÌýthe same sizeÌýand appearance. “High performanceâ€�ÌýcouldÌýnot just address environmental qualities.ÌýWindow modelsÌýwereÌýalsoÌýevaluated forÌýaccessibilityÌýfeaturesÌýsuch as operating force and the height of locking and lifting mechanisms.ÌýÌý
Other envelope-tightening measures included adding weather barriers and insulation to the exterior walls,ÌýroofÌýand floors. The project installed all-electric mechanical systems.ÌýThrough thisÌýdeep-energyÌýretrofit,Ìýactual energyÌýuseÌýin the six months of full occupancy has been 84% below baseline. The embodied carbon intensity is 63% lower than the median new-construction educational building.Ìý
A Ramp as the Building’s Circulation SpineÌý
The one major exterior addition is a new ramp that connects the five existing floor elevations. As theÌýsingleÌýcirculationÌýspine, the rampÌýfacilitatesÌýequitableÌýaccess throughout the building. Large expanses of glazing along the rampÌýallowsÌýviews clear across the building from the campus to the creek. Exposed structural wood postsÌýsupporting the rampÌýcreate a unifying cadence and a place for handrail brackets. By expressing the ramp slope on the exterior withÌýaÌýcontemporaryÌýfiber cement panel façade, the rampÌýbecomesÌýa beacon that communicates universal access.Ìý
Universal Design Beyond Code RequirementsÌý

Universal Design strategies exceed codeÌýaccessibilityÌýrequirements and include color and form-based wayfinding and biophilia rich interiors.ÌýThe restoredÌýexistingÌýwoodÌýroof trusses were exposedÌýas an interior finish materialÌýandÌýinfluenced theÌýremainderÌýof the interior material palette. Wood is used in high touch places such as windows, handrails, and wall end caps. The wood provided textural and color contrast, both of which help make spaces more accessible, without overwhelming the senses.ÌýÌý
Preserving the existing floor to floor height significantly limited the space for mechanical equipment. By selectively lowering the ceiling atÌýtheÌýthresholdÌýbetweenÌýcirculationÌýandÌýprogram spaces, the team created room for the equipment and provided an area for an individual to decompress before deciding how to engage with the space ahead.ÌýThe floor materialÌýand wallÌýcolor differ from the adjacent spaces and are only usedÌýinÌýthe thresholds. The color, texture, and difference in light qualityÌýin the threshold spaces signifiesÌýto someone with low vision they were about to enter a new type of space.Ìý
Designing for Choice, Agency, and ComfortÌý
The thresholdsÌýofferÌýindividualÌýchoice,Ìýa themeÌýalsoÌýintegratedÌýelsewhere. EachÌýofficeÌýhas an independently controlledÌýthermostat,ÌýandÌýeveryÌýregularly occupied space has atÌýleast one operable windowÌýtoÌýprovide individualÌýchoice in the quality and temperature of airflow. Solar shades and dimmer switches for all overhead lightsÌýallow occupants to control the quality of light.ÌýIndividualized controls are often missing from today’s workspaces, but these featuresÌýareÌýeasy to integrate and go a long way to make occupants feel welcome.ÌýÌý
To guide the project beyond minimum code accessibility, the team devised a list ofÌýeightÌý“Impact Areasâ€� that connect access needs to design features rather than assigning features to specific disabilities. The Impact Areas includedÌýneedsÌýsuch as community building and privacy, cognitive access, and sensory zoning.ÌýThe Impact AreasÌýofferedÌýa framework to address “dueling disabilities,â€� whereÌýpeople have drastically different environmental needs,ÌýandÌýultimatelyÌýhelpedÌýthe teamÌýprovide agency and enhance feelings of safety and securityÌýin the building.ÌýCreekside Center provides a much-needed home for a community that hasÌýhistorically marginalized from the design of the built environment.Ìý
Ryan Jang,ÌýAIA, LEED AP, is a Principal and Cecily Ng, AIA, is an AssociateÌýwithÌýLeddy Maytum Stacy Architects.Ìý
